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- Walnut Creek CDROM and Lee H Skinner proudly present Fractal Frenzy.
- =============================================================================
- To use this disc, change drives to your CD-ROM drive and type VIEW in
- the root directory of the CD-ROM drive. The VIEW program will then
- display a listing of the subdirectories on the disc. Use the cursor
- keys to move the highlight bar, and press ENTER to change into that
- subdirectory. The VIEW program will then display a list of files
- within that subdirectory.
-
- To view a text or a graphics file, simply move the highlight bar to
- the file you wish to view and press ENTER.
-
- If you wish to run a slide show of a subdirectory, simply enter the
- subdirectory you wish to view, then press the F3 key. To pause the
- slide show, press the SPACE bar. To exit the slide show, press the
- ESC key twice.
-
- To copy files, move the highlight bar to the file you wish to copy
- and press the 'C' key on your keyboard.
-
- Have fun! :-)
-
- =============================================================================
-
- Introduction
-
- This CDROM represents my explorations of Fractals during the last
- three years using the freeware program Fractint. I started out on an
- IBM-286 and worked up through a 386-25 to a 486-25 DX2. The latest
- version of the program which generated these fractals is also
- included, but it only runs on a PC, however, other viewers are
- included for other platforms such as MacIntoshes, Amigas, NeXT, and
- Sun Sparc. The Fractint program also generates many other fractal
- types that are not represented in my explorations, so this is not to
- be a demonstration of the capabilities of the Fractint program.
-
- As a young grade school student, my favorite subject was math. I
- felt a kind of security in a subject which gave exact answers to any
- problem - regardless of any opinions the teacher felt - if the rules
- were known and followed, the one and only one correct answer was mine to
- find. If I mastered the techniques, then I could be assured of getting
- perfect scores. (I have learned since then that math, as well as life,
- can never be that simple!)
-
- Later, proving Euclid's theorems made geometry fun and exciting. I
- sought out library books on math and geometry, including the
- many-dimensional-geometry books of Coxeter and Sommerfield. I devoured
- Abbott's Flatland. In college, I also independently rediscovered a
- mathematical formula known as the Ackerman Generalized Exponential which
- unites the arithmetic operations of addition, multiplication,
- exponentiation and tetration.
-
- But there were other sides to me as well. While growing up, my
- parents gave me a deep respect for nature and wildness. We went on
- hikes and visited National Parks across the country. I studied
- everything in nature from Astronomy to coral reefs. I collected and
- grew tropical plants in my Florida garden. Later I collected many of
- the coffee-table books of nature such as those published by the Sierra
- Club.
-
- I started collecting all kinds of maps that showed the physical
- world. I massed thousands of topographic maps of interesting areas.
- This hobby expanded into collecting USGS orthophotomaps, NASA maps of
- the planets, shaded-relief maps, raised plastic maps, and even hundreds
- of aerial photographs and landsat photos showing various terrains and
- landforms.
-
- I had also started cave exploring, pursuing the underground darkness
- in inticate mazes of various sized passages to discover new rooms where
- the beautifully decorated formations that I found were to see photons
- for the first time - from my own light.
-
- All of these seemingly disconnected parts of my background came
- clashing together in a way that I could not possibly foresee.
-
- One day I received in the mail my copy of Scientific American with
- what at first glance at the cover appeared to be some aspect of a solar
- corona. Instead, it was a fractal image of part of part of the
- Mandelbrot set. When I then read the article and saw that this
- beautiful picture (and others in the issue) was calculculated by
- iterating with complex arithmetic on an absurdly simple formula (z
- squared + c), I felt stunned, dumbfounded, flabbergasted - that such
- richly decoritive beauty of such intricate complexity could itself
- develop out of such a simple formula and algorithm. And, this was not
- some chemical or physical crystal, some network of biological growth, or
- some human's artistic design. No! This was pure mathematics based on
- pure arithmetic. Using the same calculations, a being in some distant
- galaxy could re-create the exact same image down to the finest detail -
- chaotic, yet repeatable.
-
- Though fascinated about the subject, I didn't really begin playing
- around with fractals until I discovered Fractint 12.0. I had already
- played around with half a dozen other PC programs such as Fractal Magic
- and Fractools, but mostly just to look at images made by others. Over
- the next three years I generated over 2000 images with Fractint. When I
- started, I had no artistic talent (as my earlier images will clearly
- demonstrate). But as I continued, I gradually developed the skills and
- techniques to make good pictures.
-
- --------------------------------------------------------------------------
-
- Using Fractint
-
- If you have a PC (386 or greater), create a directory called
- Fractint, and copy the program FRAIN18.EXE into it. This is a
- self-extracting zipped file. Executing FRAINT18 will create all of the
- necessary files to run Fractint. Fractint has a large documentation
- file and plenty of on-line help. Further explanation is available
- in the book "Fractal Creations", published by the Waite Group Press.
-
- Skills must be developed over time - there is no substitute - but
- some of the techniques I use can be passed along in the way of helpful
- hints. FRACTINT is a powerful number cruncher. The more powerful PC
- you have, the faster you can generate images. The higher screen
- resolution you have, the more beautiful your images will be. You will
- also need lots of disk storage if you intend to generate and keep at
- hand a lot of images. You will find FRACTINT complex, but easy to use.
- Although the on-line help is nice, I strongly recommend that you do the
- command FRACTINT MAKEDOC to generate a complete documentation file. Then
- print it, read it all the way through to get some understanding about
- the capabilities (you won't retain it all of course), and then keep it
- by your computer (or on your disk) for a quick reference. On your
- printed copy, make margin notes, highlight items you want to come back
- to, then start playing with those features that interest you or peak
- your curiosity the most. Take the time to really dive in and immerse
- yourself in the program until you get a good enough handle to do those
- things you chose automatically without referring to the documentation.
- Learn specifically how to use the zoombox, random color pallettes and
- the color pallette editor, parameter files, formula files, batch mode,
- saving and restoring the screen during image generation, and how to
- configure your preferences in the SSTOOLS.INI initialization file.
- Learn how to use the windows accessed by the tab, t, x, y, and z keys
- and how they may be used to access or modify parameters. These are
- basics - FRACTINT has many other features. When you can comfortably use
- these basics, it is time to develop your own capabilities and artistic
- talents to make your own spectacular images. They will reflect yourself
- and will have a unique style - no two fractal artist think alike. You
- can do it!
-
- Ask ten different people what they see when they look at a fractal
- image, and you'll probably get ten different answers. Our perceptions
- of pictures (if any) within an image are shaped by a multitude of
- factors: our imagination, our outlook on life, previous experiences in
- life, what shapes we most easily identify with, which colors are
- background, which colors are foreground, scale, perceived textures,
- shading and contrasts in different regions and what they may evoke in
- our imaginations, whole image verses a colage of multiple ones, where
- the boundaries are between our perceived regions, and so on and so
- forth. Often a 2-dimensional image will look 3-dimensional. It may have
- what appear to be rolling or bending surfaces with textures that may
- look smooth, velvety, or even very rough and scaly.
-
- What your mind first sees in an image may determine a scale and/or an
- environment where your mind interprets nearby objects or designs to fit
- together or conform to some plausible reality. We try to "make sense"
- of what we see, and by the time our mind has tied it all together, so to
- speak, we see our own interpretation of reality in something abstract.
- Even seeing the same image months later may invoke entirely different
- interpretations. Even the brightness control on the PC, lighting in the
- room, or distance from the screen (close detail verses overall view) can
- modify what you perceive in a fractal image.
-
- Is it any wonder that no two people see the same thing in a fractal
- image? I see an indian village complete with wigwams across a stream,
- while you perceive a beautifully banded and tuffed caterpiller. In
- fact, once we have imprinted what we see upon our minds, it is often
- difficult to see what someone else sees no matter how hard they try to
- point it out or explain it.
-
- Earlier, I explained part of my personal life because all of these
- things influence what I see in an image. They influence what I zoom in
- on, how I add color, and how I have named things. (Later I began using
- numbering methods to name my .GIF files when I discovered the names
- often didn't have the same meaning to others.)
-
- When you develop your own skills in zooming and coloring, your images
- will also reflect your own personal style - a uniqueness based own your
- own perceptions of what you see. This is why fractal generation
- (although deterministic) is art as well as a science of discovery. As
- in nature photography, you determine the picture composition. And you
- choose the colors that will enhance those features your mind sees in the
- chaos.
-
- --------------------------------------------------------------------------
-
- This CDROM contains many programs, images and text files.
- To make navigating around this CDROM easier, there are several files
- located within the root directory.
-
- 1024\ - 1024x768 images
- 640\ - 640x480 images
- utils\ - Executable files used by batch files
- programs\ - Fractint for MSDOS/Windows/X and map/par files for Fractint
- viewers\ - GIF viewers for various platforms
- vpic\ - VPIC (GIF Viewer for MSDOS)
- v_inst.bat - Hard Drive Installation script for VPIC
- v_uninst.bat - Hard Drive UN-Installation script for VPIC
- 00_index.txt - Descriptions of all the files.
- dirs.lst - Listing of directories with descriptions.
- go.bat - Will Automatically Display the READ.ME file.
- readme.txt - The file you are reading now.
- view.exe - A text file viewing program that can be used to display any
- text file. To view the DIRS.LST in the root directory of the
- CDROM drive and typing VIEW DIRS.LST. When run without any
- parameters this program automatically walks you through all
- the directories on the CDROM disc. It has options for viewing
- text files, unzipping program files, and viewing image files.
-
- --------------------------------------------------------------------------
-
- Viewers are included for several different systems. They are located
- in the directory ``viewers''. If you have an MSDOS system with a
- graphics display, you can run the program ``view.exe'' and use your
- cursor to select images to view.
-
- Due to the large number of incompatible video cards, most viewers
- will not work on all systems. So if a particular viewer doesn't work
- with your system, try another. Viewers will work better and offer
- more colors if you install them for your video card. You'll need to
- copy the files to your hard disk and select the correct
- initialization file for your video card. See the VPIC documentation.
-
- For your convenience, a batch file called "v_inst.bat" has been
- included in the root directory of the disc. If you execute it, the
- batch file will automatically copy the contents of the VPIC directory
- from the CD-ROM onto your C:\VPIC directory. After copying, the
- batch file will display the configuration document for VPIC. If for
- any reason you wish to wipe out the entire C:\VPIC directory from
- your hard drive, run the "v_uninst.bat" from the CD-ROM.
-
- We can not be held responsible for video cards which may not work
- properly with VPIC. If you require assistance in configuring VPIC,
- please consult the documentation file within the VPIC directory, or
- contact Bob Montgomerry at 543 Via Fontana #203; Altamonte Springs,
- FL 32714-3172, or 73357,3140 on Compuserve. As an alternative to
- using VPIC, we suggest trying GDS which is also on the CD-ROM in the
- \viewers\msdos directory.
-
- Also, if you have a favorite viewer with which you wish to use the
- View program, simply rename it to be "VPIC.EXE," then copy it and any
- auxiliary files it may use to C:\VPIC.
-
- Mac users can use the installed viewers in viewer\mac\...
-
- The source code and documentation for unzip.exe is in
- \viewers\msdos\unz51p1.exe.
-
- --------------------------------------------------------------------------
-
- Directory Structure
-
- The images on this CDROM are categorized mainly by fractal type, as
- described in the file DIRDESCR.LIS.
-
- The fractal types are either
- (1) From the Fractint internal type menu
- (2) Described in the file Fractint.frm (which comes with Fractint) or
- (3) Described in the file Skinner.frm (my formula collection)
-
- 492 images are included that were generated with the ZEXPE formula,
- which is based on Z^e, as opposed to Mandelbrot which is based on
- Z^2. To keep from having so many images in one directory, they were
- split into 3 directories: ZEXPE-F, ZEXPG-H, and ZEXPI.
-
- --------------------------------------------------------------------------
-
- Special Files
-
- The text files 640x480.LIS and 1024x768.LIS list the image files
- for each resolution. The 1024x768.LIS file includes a column labeled
- ANCESTER. This refers to another image from which this image was
- generated through either a transform or a zoom. In most directories,
- you can use this feature to trace yourself all the way out, sometimes
- zooming outward up to 14 times.
-
- Only two image files were not created directly with Fractint:
-
- (1) 15COMB16.GIF was created using PICLAB. It illustrates a technique
- used to overlay the color black (inside=0) of one image
- (116K5L16.GIF) with corresponding pixels of another image
- (1M1K0L16.GIF).
-
- (2) The only file which is not mine on this CDROM:
- ANIMATE.GIF (in the \special directory) is actually 544x476/256.
- This image was created by Craig Ginn with the Dr. Halo program.
- It is not a true fractal and is included only because it is so
- beautiful when it is color cycled with Fractint. Craig gladly
- contributed this little jewel for the CDROM. (It would make a
- good screen saver!)
-
- --------------------------------------------------------------------------
-
- With Microsoft EXCEL today, I added up the computation time of the
- 1024x768 images. It comes to 19049.97 hrs or 19049 hrs + 58 mins,
- rounded to 19,050 hrs! Thats 793.7 days of number crunching the
- fractals, (2.17 yrs!). That does not include the time to look for
- the images by zooming, or the time to color them appropriately, etc.
-
- --------------------------------------------------------------------------
-
- Acknowledgements
-
- I would like to acknowledge the following individuals for their parts
- in steering my course in the direction it took:
-
- Joe Germann for getting me interested in personal computers.
- Roger Stevens for telling me about FRACTINT.
- Tim Wegner, Bert Tyler, Mark Peterson, Pieter Branderhorst, Ethan Nagel,
- Jonothan Osuch, Marc Reinig, Scott Taylor, Dan Farmer and all the
- other FRACTINT programmers.
- Neal Maser and Louis Abeyta for helping me organize my fractals into a
- data base.
- Duke McMullan and Jim Evatt for various support in my fractal projects,
- including the use of their computers.
- Charlie Dodge for having faith enough in my art to help me get my first
- true quality slides and prints.
- Bob Bruce and Susan Weeks of Walnut Creek CDROM.
-
- --------------------------------------------------------------------------
-
- Prints and Slides
-
- Professional quality photographically reproduced prints and slide
- sets are available from the artist. 16" x 20" prints are $50.00
- each, $60.00 if signed by the artist. Three sets (A, B and C) of 20
- slides each are currently available at $25.00 each. Prints of any
- image on the CDROM may be ordered, but higher resolution images will
- look better close-up. For prints at other sizes, please contact the
- artist for quotes. Allow 4 to 6 weeks for delivery. No credit card
- orders. Add $5.00 per order for shipping and handling. New Mexico
- orders add 5.831% sales tax.
-
- Lee H. Skinner
- P. O. Box 14944
- Albuquerque NM 87191
- USA
-
- Walnut Creek CDROM
- Suite 260
- 1547 Palos Verdes Mall
- Walnut Creek CA 94596
- USA
-
- ---------------------------------------------------------------------
-
- The GIF (Graphics Interchange Format) specification is owned and
- copyrighted by CompuServe, Inc.
-
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-
- Many of the programs on this disc are shareware, and require separate
- payment to the author of the program for continued use. You are free
- to try shareware programs for a limited amount of time. If you
- continue to use the program, you are expected to register the program
- by sending a specified amount of money directly to the author of the
- program. In many cases the author will send you the most up to date
- version of the program and a printed manual. Please check individual
- files for conditions.
-
- --------------------------------------------------------------------------
-
- Walnut Creek CDROM is an approved vendor and associate member of the
- Association of Shareware Professionals (ASP). ASP wants to make sure
- that the shareware principle works for you. If you are unable to
- resolve a shareware-related problem with an ASP member by contacting
- the member directly, ASP may be able to help. The ASP Ombudsman can
- help you resolve a dispute or problem with an ASP member, but does
- not provide technical support for members' products. Please write to
- the ASP Ombudsman at 545 Grover Road, Muskegon, MI 49442 or send a
- CompuServe message via CompuServe Mail to ASP Ombudsman 70007,3536.
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-